Operational Art is defined as ‘the application of creative imagination by commanders and staff—supported by their skill, knowledge, and experience—to design strategies, campaigns, major operations and organise and employ military forces.’ It is often referred to as a ‘bridge between strategy and tactics’ with a function of making tactical actions serve strategic objectives. Though, an important subject, operational art, surprisingly, has not been a regular topic of discussion in airpower literature. Additionally, there is also a tendency to explain ‘air operational art’ using the lexicon of land warfare. This often creates more misunderstanding, given the specific attributes and features of airpower. Air operational art, thus, needs more exploration and study, within the context of airpower theory. This paper is directed to this end.
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The West: The History of an Idea
The world is witnessing the collapse of the Western order, if not the emergence of an alternative one. The idea of ‘West’ as against the rest is still at the root of contemporary understanding of world politics. Georgios Varouxakis, a remarkable voice on Modernity and Nationalism, has provided the historical origins and modern connotations attached with the idea of ‘West’. In his book ‘The West: The History of an Idea’, Varouxakis has argued that the West is not an eternal entity, rather it is a modern socio-political construct that emerged in the political philosophy of the early 19th century and evolved with the passage of time. The book provides an in-depth historical analysis of the idea to determine the roots of its modern interpretation.
Space-Enabled Warfare in the 21st Century: Pathways for Developing States
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The US-Israel War on Iran: Objectives, Strategy, and Escalation Management
Zahra Niazi
‘States tend to overestimate themselves or the benefits and swiftness of war, and to underestimate their opponents’ capabilities, intentions, or the costs and duration of war.’ If anything, the 2026 war initiated by the United States and Israel against Iran shall be remembered in the annals of warfare among the most visible manifestations of this dynamic.
The war, immediately preceded by the January mass protests in Iran, did not represent a sudden rupture but rather the continuation of a 47-year-long confrontation and a more intense phase of the June 2025 war.
The US Secretary of War, Pete Hegseth, defined the war’s objectives as being laser-focused: to destroy Iran’s missile capabilities and its security infrastructure, while ensuring that it could never develop nuclear weapons. Beyond these stated objectives, among the priorities on the continuum also lay the objective of regime change, with both President Trump and Prime Minister Netanyahu explicitly calling on the Iranian population to take over the government at the outset of the war.
